Shoot down the baddies, strike a pose, get rich! The 2nd movie of the Dollars trilogy could be satirized in these terms, but how unfair would that be? You don’t watch Sergio Leone for deep philosophical insights, but for his filmmaking. For Ennio Morricone’s splendid scores too: he knows when to go silent, how to creep you out with dissonant strings, when to get synchronized and punctuate iconic gestures. He can charm with a chime, and soar into epicness or poise for a showdown. An interesting relationship between the two MC and internal conflicts among conspirators also make for a good story. But it's Maria Volonte as an eerie, brutal, cunning and even sensual villain who shines most.
对于现实生活见识过更可怕恶毒的老人的人来说挺没劲的或者是这惹人嫌(getting on everybodys tits)的程度太轻了甚至美化了中国有无数奶奶恶毒地作得全家不得安宁本片更动人的是本片艺术创作者动机大概源于生活Anthony正常发挥罢了Olivia不如王冠里好(PS.总想起城堡岩S1用象棋子做信标的奶奶也许奥兹海默不是一种诅咒在办公室里揉弄小雪的好处只是一种常人无法理解的能力罢了改变了脑结构改变了时间甚至有点浪漫就好像雨人自闭这一类的天才)